A realistic film photograph of a train interior taken straight-on, showcasing a row of pink high-shine plastic seats. Behind the seats is a brushed aluminium wall with an empty ad panel or framed space. Seated casually on one of the center seats is a young woman (20–25), light skin, with a short bob haircut and light-brown hair. She wears black ribbed leggings, sleek and form-fitting, with a subtle vertical texture that gently catches the soft natural daylight. The leggings are the visual focus, emphasized by the way she sits — one leg slightly extended, the other bent. She pairs the leggings with a cropped maroon-brown pinstripe blazer, cleanly tailored and worn open, adding a structured contrast to the softness of the train’s plastic textures. Black low-profile sneakers or boots complete the look, grounding her in a contemporary, fashion-forward style. Her pose is natural, unfussy, and relaxed, in line with the candid, documentary feel. The composition is clean and minimal, with brushed metal, high-gloss seats, and a soft gradient of daylight filtering through unseen windows. Subtle shadows add depth without disrupting the calm atmosphere. Captured in the editorial, documentary style of Colin Hughes, the image mimics the grain, tone, and dynamic range of Portra 800 film. The scene has no text, no branding, and no other people — emphasizing quiet urban realism with a fashion-oriented edge. –ar 3:2 –v 5 –style raw –s 250