Close-up black and white editorial photograph, shot from a top-down diagonal perspective. The frame focuses on a man lying motionless on a concrete urban surface, as seen in the reference pose. He has short hair and wears angular black sunglasses with mirrored lenses, a textured knit sweater, and dark trousers. The background features clean brutalist geometry — concrete lines and sharp architectural shadows crossing the frame. The man’s face is calm and turned slightly upward, his expression detached and contemplative. Strong lighting casts soft shadows across his features and highlights the pattern of the surface beneath him. The image is high contrast, fashion-forward, minimalist, and surreal — a cinematic study in stillness and identity within an urban grid.